Tuesday, January 3, 2017
Stand In The Fire
Sunday, January 4, 2015
You're The Best Around (No, Not You, But Fourteen Albums Are)
Saturday, December 3, 2011
Disturbing The Priest
Reverend - Reverend

Caroline Records 1989
Bangers: back in June, The Metal Blog of Metal reviewed Heretic’s 1988 album Breaking Point, and in that review we pointed out that Heretic, Metal Church, and Reverend were all tied together by common personnel. When David Wayne left Metal Church, his replacement was Mike Howe from Heretic. Wayne decided to form his own band, and recruited three members of Heretic! In essence, Metal Church and Heretic swapped lead singers, which has to be a first in the world of Metal.
Reverend kicked off their recording career in 1989 with the superb Reverend EP. The EP consists of four tracks of excellent power-thrash with David Wayne’s gritty, powerful vocals and riffs a-plenty. This is primo, crunchy Metal of the highest order. We here at The Metal Blog Of Metal consider this EP to be the best release of Reverend’s career.
The EP roars to life with “Power of Persuasion” which chugs along like a Sherman tank with Lemmy at the wheel. Wayne’s vocals are fantastic as he hits plenty of high notes effortlessly. Lyrically, the song explores the corruption of politicians. Chris Goss of Masters of Reality appears on the song but the liner notes don’t say what he did on the track. “Dimensional Confusion” grinds along at mid-pace with staccato riffs and more of Wayne’s commanding vocals. The quirky, stop-start structure of this cut is very cool and the guitar solo is superb.
The third track, “Wretched Excess,” is a molten slab of power-thrash, featuring an absolutely ripping solo. This song is the thrashiest of the four and is very reminiscent of something that Overkill would have cranked out in the 90s. The final cut is “The Ritual” - it’s the best song on the EP, and thus is the best song that Reverend ever put out. It's five minutes and 41 seconds of Metal perfection that even the mighty Metal Church had difficulty achieving. Truly this is an epic track with Wayne really stretching his vocals when he sings “there’s nothing left sacred.” Amazing. Check it out below:
Unfortunately, Caroline Records has never reissued this disc and it’s very hard to locate. In fact, this EP is the most expensive item in The Metal Blog Of Metal's vaults with a per track cost of $12.50! However, the EP is now available for download on iTunes for a mere $3.96, which is clearly preferable to $50.
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The Bottom Line: If you like Heretic and Metal Church, you will love the Reverend EP, so track it down or download it. You won’t be disappointed.
As always, MAKE MINE METAL.
Tuesday, July 19, 2011
Swedish Skull Crushers
Wolf – Legions Of Bastards
My fellow Heavy Metal enthusiasts, I am sure you are aware of the New Wave Of Traditional Heavy Metal (NWOTHM.) The NWOTHM tag is essentially a marketing gimmick that was invented by Earache Records in 2009 to categorize all the up and coming traditional metal bands. Bands such as Cauldron, Portrait, White Wizzard, Holy Grail, Armour, Volture, Enforcer, and Skull Fist were all lumped together in the NWOTHM whether they considered themselves part of this group or not.
Long before these bands were put axe to the wax other traditional metal bands soldiered on such as Twisted Tower Dire, Cage, and Widow. Another band that has been playing rib crunching, spine cracking, traditional Metal for years is Wolf from Orebro, Sweden. Imagine the galloping music of Iron Maiden melded with the high pitched vocals of King Diamond and you’ll have a fairly good idea of the band’s sound.
Wolf has been putting out consistently great albums since the release of their eponymous debut in 2000. Their 2004 release Evil Star is a favorite of The Metal Blog Of Metal, the title track a crushing sledge of metallic greatness. Unfortunately, their 2006 follow up The Black Flame, was a letdown with too many average tracks and poor sequencing which resulted in most of the excellent cuts being at the end of the album. Wolf quickly recovered in 2009 with the fantastic Ravenous which featured the superb tracks “Speed On,” “Hail Caesar,” and “Voodoo.”
This year Wolf has blessed the Metal world with Legions Of Bastards and it’s a cracking album of pure chromium plated steel. Picking right up where the last album left off, the band offers up 11 tracks on vinyl, 12 on digital download and standard CD, and 13 on the deluxe digipak CD. Wolf has in no way back loaded this disc; the album kicks off with three hooky burners in “Vicious Companions,” “Skull Crusher,” and “Full Moon Possession.” Any of these three cuts would make a great lead single or video but right now all I can find online is a live performance of “Skull Crusher.” Check it out:
“Jeckyll and Hyde” is a longer multi-tempo track with crushing riffs and a very cool chorus. “Absinthe” is a tribute to everyone’s favorite extract of wormwood, and it will have you banging your head at the 1:40 minute mark. “Tales From The Crypt” is the album's epic centerpiece and features such jolly lyrics as “Tomorrow is just another word for misery.” It’s another fantastic song with noodly Maiden guitar parts. “Nocturnal Rites” starts with an intro similar to either “E5150” or “The Dark” by Black Sabbath and then develops into a mid-paced grinder with sweet, sweet gang vocals in the choruses.
It’s at this point that the album hits a bit of a snag due to poor sequencing. On the digital download and CD the songs “Road To Hell” and “False Preacher” are back to back and both have the same lyrical content – the perils of organized religion. The tracks are actually separated on the vinyl and the album flows much better as a result. Wolf should have followed the vinyl sequencing in other formats or ditched one of these tracks and used it as a bonus song on different versions.
“Hope To Die” is another fast song with strong solos and riffs and lyrics about spooky rituals and the occult. The last track on the vinyl and standard CD is “K-141 Kursk” and deals with the accidental sinking of a Russian submarine and the subsequent death of all hands on board. It’s a decent song but it has a particularly effective outro as the song fades and all that can be heard is a mournful sonar ping. It conjures up visions of doomed submariners waiting to die in the dark as their vessel takes on water.
The Deluxe edition CD features the track “6 Steps” which was the bonus track on the Japanese edition of Ravenous. It’s a mid-paced number with a crunchy guitar tone that lyrically is reminiscent of Maiden’s “Fear Of The Dark.” Both the Deluxe CD and the digital download end with a cover of Metal Church’s “Method To Your Madness.” Wolf is particularly adept at cover songs, and in the past has produced excellent covers of Mercyful Fate, Blue Oyster Cult, Slayer and The Ramones songs. “Method To Your Madness” is no exception and is well worth the listen.
If you can’t decide which version of the album to purchase, I suggest the vinyl because not only do you get a nice piece red vinyl, but you also get the Deluxe Edition of the CD tucked into one of the gatefolds. That’s a very cool way for labels to entice people to purchase vinyl. You can see the pictures of this version at the top of this review.
The Bottom Line: Wolf once again delivers the Metal with Legions Of Bastards and they deserve your support. They were NWOTHM long before the NWOTHM was cool so go out there and buy something from them. Here’s hoping that some day they make it to the States for a tour.
As always, MAKE MINE METAL.
Sunday, June 19, 2011
Reverend of a Metal Church
Heretic – Breaking Point
Metal Blade Records – 1988
Lost and Found Records – 2009 reissue
Alright muthas, let’s go back to that golden year of 1988 when Metal Blade released a crushing blast of power/thrash metal by Los Angelinos Heretic called Breaking Point. Heretic had first been featured on Metal Massacre VII with the track “Impulse” which had Julian Mendez on vocals. In 1986, the band released the EP Torture Knows No Boundary but Mendez had been replaced by Mike Torres on the mike. Torture was an excellent slice of power/thrash with high pitched vocals and included a great cover of the Russ Ballard song “Riding With The Angels.”
Following this release, the vocal slot changed again but this time in stepped the diminutive but golden throated Mike Howe. With Howe on vocals the band released Breaking Point but before they could really exploit this album Howe had left to be the front man for the mighty Metal Church. Oddly enough, bass player Dennis O’Hara and guitarist Brian Korban teamed up with former Metal Church vocalist David Wayne to form Reverend.
The Metal Church connections don’t end there because the co-producer on the album was none other than Kurt Vanderhoof - the guitarist, songwriter, and founder of Metal Church! The Metal Blog Of Metal is sure that Vanderhoof put in the word for Howe to get the job with Metal Church which turned out to be very beneficial for all parties involved, except Heretic who were quickly forgotten and consigned to the slag heap of metal history.
Enough with the history, let’s get on with the review of Breaking Point already. If you like Mike Howe era Metal Church you are going to love this album. It’s got that not quite power metal - not quite thrash metal vibe that Metal Church could pull off with aplomb. The songwriting is hooky and memorable without a crap cut on the entire album.
The first track “Heretic” starts off with a short acoustic part and then we’re off to the races with up tempo speed metal. Howe is in fine voice here and effortlessly is hitting the high notes. Also of note is that the bass is right up front and not lost in the mix like on most thrash albums.
“And Kingdoms Fall” is up next and it’s another speedy number with just superb vocals. Howe hits the highs and lows with power and grit. The soloing is excellent here as are the gang vocals in the chorus. The “Circle” starts at a mid-pace and just keeps building until the cut ends with Howe screaming for what seems like 10 minutes.
I defy any non-deaf person to not play “Enemy Within” over and over again on repeat. It’s just so hooky that it requires repeated plays. This is a stand out track on an album comprised of nothing but fantastic songs. Chuga-Chuga-CHUGA!!!
“Time Runs Short” is one of two almost seven minute songs on the album. It starts out with a little bass intro like Megadeth’s “Dawn Patrol” and then it’s time to crank it into overdrive for a bit until it’s back to mid-pace skull crushing. Excellent variation in one song that asks, “Is there no love left in the world?” Answer = no.
”Pale Shelter” is a short acoustic interlude before the speed and power of “Shifting Fire” which is chock full of tasty riffage. This is followed by the even faster “Let ‘Em Bleed” which slays. The chuga-chuga is back in full force on “Evil For Evil” which also has most excellent solos.
Closing out the album is “The Search” which is the other 7 minute long song. Howe puts on a vocal clinic here as the song winds its way through multiple tempo changes in the style of “Watch The Children Pray.”
Lyrically this album deals with common themes in thrash such as drugs, war, violence, hypocrisy, government corruption, etc. No dragons, battle, brotherhood, fighting the world or uplifting songs here. Remember, in 1988 thrash was king and Dio was uncool so lyrically you couldn’t sing about Viking warlords and be cutting edge. I believe assholes call these types of lyrics “thought provoking” as they flit off to a Death Cab For Cutie Concert.
In 2009, Lost And Found Records reissued the album with a nice remastering and a bonus track – the aforementioned “Impulse” from Metal Massacre VII. Before that, this was one of the most expensive metal CDs out there and very rare. The Metal Blog Of Metal tracked one down years ago for the princely sum of $75 which represents the most expensive disc in the vast archives. For the sake of heaviness er, I mean completeness, the reissue was also added to the archives. Unfortunately the reissue is itself now out of print and rising in price. Grab one while you can.
The good news is that if you really want the album you can download it from iTunes or get it on vinyl because it’s now available in a wax reissue from JDC records.
The final piece of great news is that Heretic have gotten back together with original members Dennis O’Hara, Brian Korban, Julian Mendez, as well as new members Federico Dupay on drums and Glenn Rogers (Viking, Hirax, Steel Vengeance, etc…) on guitars. Check them out on Facebook. I know they are working on getting a Torture Knows No Boundary reissue out if they can get Metal Blade to go along and they are playing a show with Bitch and Malice. Hell yes!!!!
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The Bottom Line: Seek out this rarity and add it to your collection. It’s a prime slab of metal and holds an honored place in the pantheon of great albums. All the tracks are fantastic - the vocals slay, the riffs are a flyin’ and the bass is chugging. Come on man, what the hell else do you want? This is a desert island LP of the highest order. Buy or Die.
As always, MAKE MINE METAL.

































