Showing posts with label satan. Show all posts
Showing posts with label satan. Show all posts

Sunday, December 17, 2017

Maiden Hell

Jarvis Leatherby 
Musician, Promoter and NWOBHM Enthusiast



Muthas, I was lucky enough to be able to interview the main man in Night Demon - Jarvis Leatherby - about the New Wave Of British Metal. It's a very cool interview and Jarvis has some really insightful (and lengthy!)  answers to my questions. So let's see what Jarvis has to say about NWOBHM. Enjoy!

MBOM: Jarvis, thanks so much for doing this interview! How's the touring going for the new Night Demon album?

Jarvis: So far so good.  We are about 1/3 of the way through the touring cycle for Darkness Remains.  We've done a ton of European headline touring and festivals, along with some big U.S. Festivals.  Heading back to Europe at the beginning of the year to support Accept for about six weeks, then returning stateside to do some more damage out here.  Although it's a grueling lifestyle, I can proudly say that we are really enjoying it now more than ever.

MBOM: In addition to being in Night Demon you are also the singer for NWOBHM legends Jaguar. How did that come to pass? Any plans for a new Jaguar album with you at the mic?

Jarvis: A few years back, Jaguar's then time manager had contacted me regarding the band looking for a new vocalist.  They had heard Night Demon's cover of "Axe Crazy" (on the expanded version of our debut EP) and thought I would be a good fit.  Unfortunately at the time, I was right in the middle of a Night Demon tour and had another one to follow right after.  It also didn't help that the rest of the band was spread over the U.K. And Sweden. 
About a year and a half went by with little to no communication when I came across a poster for a big NWOBHM festival in the U.K and saw their name on it.  I immediately contacted Garry Pepperd (founding guitarist of Jaguar) to find out who they got to fill the role of lead singer.  He explained that they still had nobody, and had hoped to get somebody in on time to do the show, but to no avail.  At that point I knew I would be available for this particular date, so I picked up our conversation where we left off and I agreed to do the gig and see how it goes. 
Night Demon had just come off a tour in Mexico with Skull Fist, and I immediately got off the plane in Los Angeles, can hopped on another plane to London.  I got to spend a couple days with Simon and Garry prior to the gig (not rehearsing mind you) drinking and getting to know each other.  We hit it off so well, it felt like we had been best mates forever.  I met Nate the drummer onstage at the gig, and we busted out an amazing set in Sheffield, and the rest is history.
Power Games is such a huge vocal influence to me, it's a surreal feeling to be up there with those guys on stage and live out a real rock and roll dream.  I'm a great fit for the band, and at the moment we are just taking things as they come and keeping it a fun and low pressure situation.  The great thing is the band has never rehearsed since I've been in it, and we just have this mutual trust on stage that seems to work really well while also feeling very spontaneous. 


MBOM: What song/comp/album started you on your journey of listening to and collecting NWOBHM?

Jarvis: NWOBHM 79' Revisited. That was the one that did it all for me.  I haven't been the same since.  It changed my view of metal in the most positive way.  In the pre-internet years there were so many NWOBHM bands that I had heard of, seen photos, artwork, new song titles, etc. that I had never actually heard with my own ears.  One day I was at Best Buy in the suburban town I grew up in, and I came across the double CD version of this in the racks.  I couldn't believe my fucking eyes!  I had no knowledge of this compilation ever existing, so to me I was in heaven and completely blown away with excitement of what I was holding in my hands, and what I was inevitably going to buy and rush home to throw into my stereo.
I remember specifically the excitement of popping in the first disc so I could finally here “It's Electric” by Diamond Head.  Here is a song that I had heard about for a long time, but never had the opportunity to actually ever listen to.  That was just the tip of the iceberg in all actuality.  The songs and the bands themselves just kept my attention track by track from beginning to end.  I thought I had an idea of what NWOBHM was all about, but this thing really took me to my first major schooling on the genre.
This compilation was something much more focused than Metal for Muthas.  You also had twice   three times as much music here.  I suppose in hindsight guys like Lars Ulrich and Brian Slagel could really be able to put together something more comprehensive like this because the scene had already been and gone.  Where as Metal for Muthas was released in the thick of it all.
I discovered so many bands from this compilation.  One thing I will say about it know a days is that the bands that were on this very damn lucky to be included.  Now that my knowledge of NWOBHM bands has more than doubled from that point in time, there are so many unsung heroes of the scene that were really great.  If only they were on this comp, maybe their careers would have been different in the later reunion years of some of these bands.

MBOM: What's your favorite NWOBHM single?
This is a strange one because the sing is very commercial and poppy sounding.  Almost like it could've easily been a Rick Springfield song or something like that, but something about taking the risk to release a song like that as a single, really excites me.  It's a great song with some really good hooks, and although the production is big sounding, the tones are very raw and rock and roll.  The song also kind of reminds me of something Rainbow would do in the Graham Bonnet era.  Funny thing is that the band didn't even write this song, so I assume this was the record label's attempt to get a hit song out of AIIZ.
The cover art is fantastic!  A killer live shot of the band on stage with red lights and fog!  That's exactly how Night Demon was in the early days.  We brought our own red lights and fog machines to every gig.  It was our signature.  Maybe subliminally that came from this image.  Who knows?
Now the b-side “Ringside Seat” is really what's gonna save my ass here.  LOL!
This has got to be one of my favorite songs of all time!!!!!!!!!!  From the intro down to the last note.  If you ever want to explain to someone what rock and roll sounds like, this is the first song they should ever hear.  I don't need to go into explaining why, or breaking down the song.  Just simply go listen to it and feel that feeling.


MBOM: What's your favorite NWOBHM LP?

Jarvis: Angel WitchAngel Witch
This is a question I would normally struggle with, but in truth it's not that tough a decision when I really answer the full question.  To me it's my favorite because it's such a complete album.  There are enough songs, the sequence is perfect, the dynamics are definitely there, there is an interesting yet unmistakable sound to the album, and the artwork is iconic.
We have been fortunate enough to get to know Kevin and the band and play quite a few shows with them.  I absolutely love the band and they are definitely in my top five favorite NWOBHM bands of all time. 

MBOM: What's your favorite NWOBHM compilation released back in the 80s?

Jarvis: I would have to say Roksnax.  It's a pretty rare comp that our former guitar player Brent Woodward turned me onto.  Hollow Ground was one of the bands on there, and really blew me away.  Saracen, as well.  This comp has a lot of more rare NWOBHM bands, but the quality of the bands is really high in my opinion, and I'm really glad he turned me onto it when he did.




MBOM: Which band had the better debut album - Iron Maiden or Angel Witch?

Jarvis: This is a loaded question.  Difficult to say, but if I had to make a choice, I would say MaidenAngel Witch in my mind had a better album, but Maiden's debut is just a total and complete game changer.  You could argue that the Soundhouse Tapes was the true debut, but really with the artwork, and the songs, the first Maiden album really did so much to advance the genre.  Angel Witch is still my favorite of the two, but with Angel Witch, you kind of feel that it's more sophisticated than a debut.  I have nothing ever bad to say about Maiden, and I'm not here, but even as amazing as the self titled is, I still prefer Killers to the debut.  Better production, and more direction in the song writing and themes.

MBOM: Which Brian Ross band do you like the most - Satan, Blitzkrieg, Avenger or Lone Wolf?

Jarvis: Satan.  I'm not just saying that because I manage the band, either.  For my money, Satan is a band who is a the top of their game.  There's not been anything I didn't like that the band has ever released.  I think Brian's voice fits the band well, and has since he joined over thirty years ago.  He is the voice of Satan.  It's so rare to see a band like them these days.  The original five members from the Court in the Act era are still playing together, and writing and recording, and performing on the highest level.  So maybe that is why I manage the band.  They are the best!  It's undeniable.


MBOM: Was Motorhead a NWOBHM band or were they a precursor like Judas Priest?

Jarvis: Definitely not a NWOBHM band.  They are more a U.K. Punk band than anything in my opinion.  At least when they started.  They are one of the most important bands to the NWOBHM movement, but they came before and helped inspire it all, along with Priest, punk rock, and the big three (Sabbath, Zepplin, and Purple).






MBOM: Please recommend a good playlist for a NWOBHM newcomer.

Jarvis:


MBOM: Which NWOBHM band do you wish had been more successful/well known?

Jarvis: Raven.
They get well known for the first band to take Metallica on tour.  Well they were also the first band to take Night Demon on tour.  So what?!  The fact is that Raven still have more energy on stage today as any metalcore acrobatic band out there.  This guys are the real deal and always have been.  There are so many great songs that span their catalog, it would be hard for me to pick the perfect setlist by them, because something would obviously have to be left out.  I'm not sure if it was bad decisions, bad management, the public not being mature enough for them, or all of the above.  The fact that Raven's still not as well known as they should be continues to blow my mind.  I'm happy to have them still around, as I know their die hard fans are.  The positive thing is that they are still making new records, touring the globe, and always have a certain spark in them that makes them relevant today, and always working toward a better future for the band.  They are one of the most important bands in the NWOBHM scene, and there can never be a conversation about the genre without mentioning them.  Their legacy is cemented.

MBOM: Which of the classic "Black And White EPs" is your favorite - Paralax - White Lightning, Mythra - Death And Destiny, or Crucifixion - Green Eyes?

Jarvis: Mythra.
I have had the pleasure of sharing the stage with this band many times, and every time "Death and Destiny" or "UFO" is played, and just can't stop smiling.  Paralex and Crucifixion also put out good EPs, but the Mythra EP has a little more musicianship for me, good solid rock hooks, and a production more liking to my ear.  Overall it's a more solid outing in my opinion.


MBOM: Night Demon's covers of Jaguar's "Axe Crazy" and Diamond Head's "Lightning To The Nations" are excellent. Any plans for any other NWOBHM covers?

Jarvis: Yes, we are actually in the studio next week to record a cover of LeGriffe's “Fast Bikes”.  Here's another band that had it not been for our friend Rob McNees in Houston, TX, we would have never heard of, would have had to wait to discover it years later.  Rob made us an old school mix-tape for the road, because our touring van only had a cassette player in it.  The tape began with the Fast Bikes EP.  We ere totally blown away!  I think we must have listened to that thing hundreds of times on tour, and we still do to this day.  Definitely a diamond in the rough, and a band that fell through the NWOBHM cracks.  I highly recommend checking out this band.

MBOM: Which NWOBHM band that never released an album do you wish had released a full length? (Five bonus points for picking Trespass.)

Jarvis: I'm actually going to say Buffalo.  I know they put out a record in the 2000's way late in their career, but really those first singles are so good, and show so much promise.  It makes me wonder what they would've become had they kept it going in the early days.  Trespass also would've been a great band.  One of These Days is definitely one of my favorite singles. (Editor's note - I'll award 2.5 points for acknowledging the greatness of One Of These Days.)

MBOM: Are there any recent albums by old NWOBHM bands that you can recommend?

Jarvis:

  • SatanLife Sentence and Atom By Atom.  A new album has been completed and will be released in 2018.  I can tell you know that it's gonna be something great!
  • RavenExtermination
  • Diamond HeadDiamond Head
  • MythraStill Burning

MBOM: Do you have any cool NWOBHM rarities/collectibles?

Jarvis: I actually own a copy of the Diamond Head white album.  The version I acquired years ago is just the white cover with no signatures on it.  It is real though, and it is on Happy Face Records.  When Night Demon did some dates with Diamond Head, I had Brian Tatler sign the black jacket for me.  He confirmed that it was a legit copy, then proceeded to write the year under his signature.  LOL!  Another bucket list moment, nonetheless.




MBOM: Is there a particular NWOBHM rarity that you'd like to have in your collection?

Jarvis:

  • Iron MaidenSoundhouse Tapes
  • JaguarAxe Crazy single
  • Witchfinder GeneralBurning a Sinner




MBOM: Thanks for taking the time to talk about NWOBHM! Any last words or anything else to add?

Jarvis: Thanks for spreading the word on NWOBHM.  For me it's the best sub genre in all of heavy metal. It has the perfect balance of melody, heaviness, and true spirit than anything else I've ever heard.  These songs still live up to this day and continue to inspire me.  I still can't believe that just when I think I've heard every NWOBHM band that ever existed, something gets unearthed for me and I start all over again.  I hope that's something that continues to happen.  Cheers!

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Muthas, I hope you enjoyed the interview with Jarvis and it inspires you to buy some Night Demon and to listen to more NWOBHM!

Also, Jarvis just announced Frost and Fire in London (!) on May 11-12, 2018.  Several NWOBHM legends are scheduled to play including Angel Witch, Mythra, Bashful Alley and Jaguar!



As always, MAKE MINE METAL!

Sunday, September 24, 2017

Iron Shadows



Mark Briody
Guitarist, Producer and NWOBHM Enthusiast




Muthas, believe it or not, Mark Briody of the mighty Jag Panzer graciously agreed to be interviewed about one of his favorite musical genres - NWOBHM - and a bit about its influence on his band. Enjoy!



MBOM: Mark, first of all thanks for doing this interview! I'm sure things are busy for you because Jag Panzer has a new album coming out 9/29/17 entitled The Deviant Chord. What can you tell us about the new album? What else is going on in your world?

Mark: Yep, it's coming out on Sept 29, 2017 on SPV/Steamhammer. I'm very proud of it. We're looking at tour offers now, so we hope to hit the road soon.






MBOM: I know that you are big fan of the New Wave Of British Heavy Metal. Were there any particular NWOBHM bands that influenced you and Jag Panzer in the early days?

Mark: I bought everything I could get my hands on during the NWOBHM era. The bands that made the biggest impact on me were Angel Witch and Witchfynde. The Angel Witch album was perfect and it made me love the NWOBHM movement because I found the Angel Witch to be just as good as the Iron Maiden debut despite the success difference between the two bands. Iron Maiden were getting huge press and had a major deal while Angel Witch were on a tiny label I never heard of. That showed me that the NWOBHM scene was all about great music and not really major label dollars. What I loved about Witchfynde was that their album Stagefright had an incredible amount of variety on it. They had everything from doom (title track) to pop ("Big Deal") to straight up British metal ("Trick or Treat"). That album showed me that the NWOBHM movement was open to all style of good metal.

MBOM: What song/comp/album started you on your journey of listening to and collecting NWOBHM?

Mark: Wild Cat from Tygers of Pan Tang was my first NWOBHM album. I was hooked right away! After buying that I picked up a copy of Brian Slagel's magazine New Heavy Metal Review. That magazine exposed me to a lot of great bands.




MBOM: What's your favorite NWOBHM single? 

Mark: For me it was the early Def Leppard single of Wasted / Hello America. It wasn't musically my favorite, but that early version of "Hello America" really inspired me. We (early incarnation of Jag Panzer) started recording as teenagers just as Def Leppard did. Demos at that age can be hit and miss. The version of "Hello America" as compared to the album version showed me how much a young band can progress in a short time. It was inspiring.


MBOM: What's your favorite NWOBHM LP?

Mark: I'd have to go with Stagefright by Witchfynde. The songwriting on it is outstanding. Plus the cover lots of ground musically with that release. That album has been in my regular rotation since then.







MBOM: What's your favorite NWOBHM compilation released back in the 80s?

Mark: I'll go with The Friday Rock Show because of the bonus Witchfynde track "Belfast." It's a great song, lots of emotion. Worth the price of the album just for that one song.






MBOM: What's your favorite retrospective NWOBHM compilation released in 90s to today?

Mark: I have never bought a retrospective compilation album. The track lists just never seemed to make sense to me. I suppose that everyone has their own unique experience with the NWOBHM and my experience just isn't in line with any compilation I've seen.

MBOM: Which band had the better debut album - Iron Maiden or Angel Witch?

Mark: They're both great, but I have to go with Angel Witch. Both have equally great songs, but I don't hear many weak spots on Angel Witch whereas there are a few spots (very few) on the Maiden debut that didn't blow me away.





Photo Credit: satanmusic.com
MBOM: Which Brian Ross band do you like more - Satan, Blitzkrieg or Avenger?

Mark: Satan all the way.





MBOM: Was Motörhead a NWOBHM band or were they a precursor like Judas Priest?

Mark: Motörhead are not part of the NWOBHM in my opinion. Lemmy already had a foothold in the music scene via his time in Hawkwind. The NWOBHM was about fostering all the new metal talent across the UK. Lemmy was already established.

MBOM: Who's your greasiest favorite - Tank, Venom or Warfare?

Mark: I get lots of ack for this, but I'm not much of a fan of any of them. Venom were huge with a massive underground fanbase, but their music just didn't click with me.






MBOM: Please recommend a good playlist for a NWOBHM newcomer.

Mark: I think any NWOBHM intro should include the early efforts from Maiden and Def Leppard - so The Soundhouse Tapes and the Bludgeon Riffola songs. This would give the new listener some reference as to how the scene sounded with these mega bands. Then the entire Angel Witch debut. Then lots of individual tracks - "Stagefright" and "Trick or Treat" from Witchfynde. "Spellbound" from Tygers. Anything on DeathPenalty from Witchfinder General. Mythra Death and Destiny would be cool. Anything from Legend Death in the Nursery. And of course the Diamond Head classics that Metallica later covered.

MBOM: Which NWOBHM band do you wish had been more successful/well known?

Mark: I thought Witchfynde had some of the best songwriting. Montalo (guitarist) also had a very unique approach to metal guitar playing. Listen to the title track from Stagefright, he's done some very different chord structures.






MBOM: Which of the classic "Black And White EPs" is your favorite - Paralax White Lightning, Mythra - Death And Destiny, or Crucifixion - Green Eyes?

Mark: Mythra. I am not familar with the others.







MBOM: Which NWOBHM band that never released an album do you wish had released a full length? (Five bonus points for picking Trespass.)


Mark: Although we got a full length many many years later, I'm still going with Mythra. The e.p was brilliant.

MBOM: Are there any recent albums by old NWOBHM bands that you can recommend?


Mark: That new Tygersof Pan Tang is outstanding. I was a big Jon Deveril fan (vocalist on Spellbound) so I was a bit skeptical. My fears went aside after a few seconds of hearing the new album. It's great.




MBOM: Mark, judging by some of your Facebook posts, you've got a huge collection of Jag Panzer material. Do you have any cool NWOBHM rarities/collectibles?

Mark: I have original print vinyl of Angel Witch, Witchfynde, etc. Nothing too rare or in mint shape (they were all played to death). I've got some Maiden 12" singles too. Much of my record collection was stolen from a warehouse in '83.


MBOM: Is there a particular NWOBHM rarity that you'd like to have in your collection?

Mark: I always wanted a copy of The Soundhouse Tapes. I've seen it before and even held it in my hands. I could never afford a real copy though.







MBOM: I know you are involved with the art direction and cover art for Jag Panzer. Are there any NWOBHM releases that you think have great art, and are there any that you think have art that's "so bad it's good?"

Mark: Demon's Night of the Demon has fantastic art! Love the green and the creepy look to the whole cover. I can't think of one that's 'so bad it's good'. Now there are some American bands that followed the NWOBHM with covers like that, but overall I like all the art in the NWOBHM.



MBOM: Thanks for taking the time to talk about NWOBHM and Jag Panzer! Any last words or anything else to add?

Mark: All metal fans should explore the NWOBHM. You may have heard a Diamond Head song or two (which is cool) but there is so much more to the scene than that.

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Muthas, I hope you enjoyed this interview with Mark Briody and it inspires you to get out there and listen to some more NWOBHM! 

As always, MAKE MINE METAL!

Sunday, October 18, 2015

Let Them Pacify While We Annihilate

Satan - Atom By Atom


Listenable – 2015

Muthas, in 2015 several NWOBHM bands have released, or are set to release, new albums.  I’ve already reviewed the new Iron Maiden, I’ll review the new Saxon shorty, and this time I’m reviewing the new album from Satan.  In 2013, Satan came out of nowhere with one of the best albums of the year – Life Sentence.  It has a legitimate claim to the crown for most impressive comeback album of all time.  The band intentionally wrote and recorded the album as if they were recording the follow-up to their 1983 classic Court In The Act.  Most bands claim to do this, but they normally deliver something that’s various shades of disappointing.  Life Sentence delivered on that promise and then some, with the album being maybe the best thing they have ever done.  So how does the new album, Atom By Atom stack up?  Read on!

Atom By Atom picks right up where Life Sentence left off and is definitely a worthy successor.  It features their patented intricate guitar work, solid rhythm section, and the ageless voice of Brian Ross. The forty seven minute album offers up ten tracks that are all good if not great.  There are no low points on the album to bore the listener, which is very rare with older, reunited bands. 

“Farewell Evolution” kicks off the proceedings with a killer scream and then tons of frantic, frenetic guitars that propel song ably.  It’s a great way to launch an album!  “Fallen Saviour” and “Ruination” display more pure speed, hooky guitar work and tasty vocals.  “The Devil’s Infantry” has appropriately martial drumming and crunchy guitars with really cool lyrics. Also, the final scream from Ross is a perfect display of his vocal power. Check it out here along with the rest of the album:




It should be noted that Satan write some insanely catchy choruses that will drill right into your gray matter and stay there for days and the title track is a great example of this. There are a couple of other superlatives tracks on the album – the galloping “In Contempt,” the middle-eastern flavored tinged “Ahriman,” and the uber-catchy “Bound In Enmity,” which reminds of their song “Twenty Twenty Five.” So damn good!

One of the absolute highlights of the LP is the final cut, “The Fall Of Persephone” which spins an epic tale of the destruction of the Earth by a meteor.  This is a departure for Satan with its varied tempos, mid-song spoken word piece, and the result is an unmitigated triumph. This sprawling track proves that you don’t need eighteen minutes to tell a great story and enthrall your audience.  Also, it’s not about a fucking blimp that crashes, which certainly helps.

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The Bottom Line:   This is a great album and a more than worthy follow up to “Life Sentence.”  It’s definitely worth picking up if you are a fan of the band, the NWOBHM or great heavy metal in general.  There’s much to love here and it’s definitely worth purchasing, so go out and get it.

As always, MAKE MINE METAL!  

Saturday, January 18, 2014

A Bombastic Baker’s Dozen

The Top 13 Metal Albums of 2013
 (and some other stuff)

Muthas, 2013 was yet another great year for Metal and we have picked a Baker’s Dozen of the best metal albums of the year. We’ve also picked the best live releases, best reissues, best concerts and the biggest disappointments of the year.  Read on!

The Thirteen Best Albums of 2013

2013 brought an avalanche of quality steel to abuse your tattered eardrums. These are the thirteen albums that dominated our turntables, CD players, and MP3 players at The Metal Blog of Metal. 

Enforcer – Death By Fire

Swedish speedsters Enforcer crush skulls on their third LP with a stellar mixture of U.S. Speed, NWOBHM and Scandinavian Glory Metal.  This is a very focused, all killer-no filler collection of ripping Speed Metal and at just under 40 minutes, it's the perfect length for vinyl.  Take a listen to the awesome triumvirate of “Mesmerized By Fire,” “Take Me Out of This Nightmare,” and “Crystal Suite” if you want to hear superb traditional metal done like the titans of ye olden daze.  If only Iron Maiden could conjure up something as compelling rather than being an old man prog band.



Orchid – The Mouth of Madness

The Band That Can Do No Wrong continues their dominance with their latest full length disc of 70s doom.  The Mouth of Madness is what everybody wanted 13 to sound like, which of course, it didn’t.  Orchid serves up more amazingly hooky traditional metal as if they’ve been doing this since 1971.  Damn these guys are good.  Once again, Theo Mindell’s art matches the music and adds to the overall experience - believe it or not, things like cover art and fonts matter.  You should immediately buy this platter of crushing doom mastery. 



Holy Grail – Ride The Void

California metallions Holy Grail return with an album chock full of guitar wizardry and catchy anthems.  It’s easy to see that they will be one of the modern traditional metal bands that will gain a large audience. Once again the songs are loaded with insanely tasty riffs, leads and solos, as well as a pounding bottom end and the masterful vocals of James Paul Luna. They also have an amazing work ethic and are tireless road warriors.  We managed to catch them twice this year alone in two separate cities.  Hailz to them for cranking out a disc that simply announces – WE CAME TO SHRED!



Saxon – Sacrifice

Speaking of road warriors, Saxon has released yet another album of rock hard traditional metal. This time they have returned to more of the power metal sound they had on Metalhead, rather than the midpaced material of their last album.  The result is excellent and another solid entry in their lengthy catalog. All hail the mighty Saxon



Hell – Curse & Chapter

Hell’s second official album is about 80% new material with a few re-recorded ancient demos.  It’s a great follow up to Human Remains and dispels any fears that Hell wouldn’t be able to put out new material to match their 80s output.  Once again they offer up a riff-packed journey through diabolically dangerous metallic landscapes. Definitely worth the coin and 
one of the best of the year. Buy it!



Night Demon – Night Demon

This is absolutely our favorite release of 2013 here at The Metal Blog of Metal.  Our opinion of the album hasn’t changed since we reviewed it here back in May.  It’s an amazing EP that showcases a superb NWOBHM sound akin to Grim Reaper, Iron Maiden and Diamond Head.  It’s a goddamn metal masterpiece in every way possible!  We eagerly await their full length LP in 2014 and it should kick much ass.  Hailz boys and thanks for a great EP!  



U.D.O. – Steelhammer

U.D.O. the band and Udo the man finally crank out an album to match the ferocity of the latest Accept releases and ditch that shitty electronic guitar sound that had marred their last couple of albums.  There are a couple of weird diversions on the album, but it is dominated by vicious, pounding steel the majority of the time. Check out our full review here. This is definitely worth adding to your U.D.O./Accept collection. 



Witch Cross – Axe To Grind

Who ever thought Witch Cross would release another album? Not us, that’s for sure.  1984’s Fit For Fight is one of the crown jewels of Danish metal, so it would be tough to follow up.  Unfortunately, original vocalist Alex “Savage” Nyborg Madsen did not take part in the reunion, but, fortunately, the band chose Kevin Moore as his replacement.  Moore is a former touring member of Oliver/Dawson Saxon, and as a result, Axe To Grind has a heavy Saxon influence.  This is straight down the middle, meat and potatoes, traditional heavy metal.  It’s nothing fancy, but it’s executed brilliantly and is very enjoyable.  Sure, it doesn’t sound like “Tears of a Clown,” but it still kicks all kinds of ass.  Pick it up!



Motorhead – Aftershock

So who thought we might never hear another Motorhead album?  Thankfully, Lemmy and the boys managed to record one hell of a great album considering Lemmy’s health problems.  Amazingly it’s much more aggressive than the somewhat lackluster The World Is Ours and there’s not a dull moment on it.  It’s probably their best since Inferno and we have you banging your head with wild abandon.  Isn’t that what you’ve come to expect from Motorhead? Damn straight it is.



Vicious Rumors – Electric Punishment

Vicious Rumors continues down the path that they forged with Razorback Killers and put out another excellent album that showcases their superb USPM sound.  Unfortunately, this album has gotten lost in the shuffle do to vocalist Brian Allen having to leave the band due to family issues. Don't let that dissuade you as there are many killer cuts on it such as “I Am The Gun,” “Electric Punishment,” and “Thirst For A Kill.”  Get it!



Black Sabbath – 13

We expected this album to be an unmitigated disaster, but, amazingly enough, it’s a good album.  Certainly the cover art is completely lazy bullshit and the album title sucks ass.  Also, the lack of Bill Ward is very noticeable and the album is another victim of shithead Rick Rubin’s loudness wars.  However, Tony Iommi’s riffs are amazing as ever, Geezer’s bass is crushing and Ozzy’s voice is acceptable.  The tracks sound like either a very good early Ozzy album, or a Dio Sabbath album with Ozzy on vocals.  13 doesn’t invoke memories of the Sabs 70s mastery (if you want that, listen to the new Orchid), but it’s not a black mark on their legacy 
either. Be sure to pick up the special edition with the track "Naivete In Black" on it, as that song is excellent.



BAT – Primitive Age (Demo)

This was a late entry to the list, but it’s very worthy of high praise.  BAT is made up of Ryan Waste from Municipal Waste and Volture, Felix Griffin of DRI fame, and Nick Poulos of Cannabis Corpse and Volture.  What we have here is greasy, dirty speed metal/thrash that pays a great amount of homage to the mighty Venom.  Waste does his best Chronos on vox and bass and the result is cranking steel fury that will please both the oldest and youngest Thrashers alike.  It might only be a demo, but it’s better than the majority of slickly produced albums that are constantly foisted upon the Metal buying public.  Go here and download it for free!  I hope they do a 7” vinyl release asap!  Total wreckage indeed!



Satan – Life Sentence

Well holy shit, this is awesome!  One usually cringes when an old NWOBHM band has a reunion and promises a return to their original sound.  Normally the result is a sub-par collection of middling garbage that fails to re-capture the magic of their early material.  That couldn’t be further from the truth with Life Sentence because it’s a face-melting collection of NWOBHM excellence.  Brian Ross sounds great and the songs will wreck your neck like it’s 1982.  This should have been the follow up to Court In The Act back in the day.  Buy this album immediately if not sooner! Damn it's good!



Live – In the Raw!  - The best live albums/DVDs

Testament – Dark Roots of Thrash

Bay Area bruisers Testament deliver a new live album/DVD that perfectly captures their current live set.  The camera work on the DVD is particularly good and it is one of the most cinematic treatments we have seen of concert footage.  The setlist is evenly split between classics and current material, but omits most of their 90s output.  Thankfully the mix is much better than the last couple of times we saw Testament live, because you can actually hear Chuck's vocals!  If you like Testament then you should definitely add this to your collection.



Dio – Finding The Sacred Heart – Live In Philly 1986

This CD/DVD features Dio at the height of their popularity with their massive stage show featuring lasers, knights in plate armor and a huge, animatronic dragon.  The band sounds great and Ronnie is in fine voice.  Viewing the DVD is a somewhat melancholy experience because it will remind you that the Man On The Silver Mountain has taken his final bow, but seeing him at his ferocious best helps take your mind off of it.  Long Live Rock n Roll!



Iron Maiden – Maiden England ‘88

Another in a long line of Maiden archival releases that really illustrates that Maiden knows how to make money like Gene Simmons.  What you get is the legendary Maiden England ’88 show on CD/DVD that showcases Maiden on the cusp of slipping into disarray, but still at their peak. They still sounded great at this point and Seventh Son was a decent enough album, but mediocrity was waiting in the wings.  The second disc of the DVD is especially nice because it features part 3 of the history of Iron Maiden as well as the long out of print 12 Wasted Years documentary.  



Best Reissues

2013 featured several excellent reissues that were long awaited in the Metal world.

Heretic From The Vault…Tortured and Broken

Finally!!!  Metal Blade Records released this excellent box set that includes the Torture Knows No Boundary EP, the Breaking Point LP along with tons of bonus tracks and a DVD!  It’s well worth the cost for the EP alone, which had never officially been released on CD. Grab this one before it goes out of print!



Jag Panzer – Tyrants, Ample Destruction, Shadow Thief, Dissident Alliance

We never thought there would be official reissues of Jag Panzer’s early catalog due to disagreements between former guitarist Joey Tafolla and the rest of the band.  Somehow that was all worked out and not only do we get these reissues, but Joey is back in the band!  You can pitch your shitty bootlegs in the trash and snap up these reissues from High Roller Records in a variety of formats – CD, colored Vinyl, Picture Disc and even a luxurious Picture Disc box set.  All the releases have been nicely remastered with loads of bonus tracks and restored artwork.  Buy or die!



Y&T – Earthquake: The A&M Years 1981-1985

This is a very nice 4 disc box set with the best output form San Francisco legends Y&T.  The set includes the Earthquake, Black Tiger, Meanstreak, In Rock We Trust, and Down For The Count studio albums along with the Open Fire and BBC Friday Rock Show live albums.  This release showcases Y&T at the peak of their careers and is fairly cheap as well.  If you don’t already own these albums, you should definitely buy this and enjoy the hard rocking excellence of a band that should have been huge. 



Witch Cross All That’s Fit For Fighting

This superb 3CD/1 DVD box set essentially purges the vaults of everything Witch Cross did before their new album Axe To Grind.  You get the ultra-classic Fit For Fight along with all their 80s demos and, amazingly enough, a DVD of a live show and music videos(!) that had never seen the light of day.  It’s all wrapped up in a very nice, thick, flip top box with a magnetic closure.  Truly an exceptional release and a must have for fans of classic Metal.



Best Concerts

Metal Alliance Tour – 4/7/13 Cincinnati, Ohio

Great package tour featuring, Anthrax, Exodus, Municipal Waste, High On Fire and Holy Grail ripping it up for 5 hours!  All the bands sounded great and it was a real treat to get our copies of Among The Living and Worship Music signed.  The only complaint was that Holy Grail didn’t have a very long set as it would have been nice to hear more from them.

Orange Goblin/Holy Grail/ Lazer Wulf – 10/26/13 Pittsburgh, Pennsylvania

The mighty Orange Goblin tore it up on Halloween weekend in the Steel City.  They played an energetic set featuring songs from most of their albums.  It was their second swing through town in just 6 months and they did not disappoint.  Holy Grail once again was excellent and proved that they should be making the step up to headliner soon.  

Biggest Disappointments

Ghost – Infestissumam

It’s become fashionable to hate on Ghost because of all the coverage they get in the music press, but the problem with their new album doesn’t have anything to do with hype.  The real problem is Infestissumam is mostly boring and forgettable.  The album sounds pleasant enough, but nothing really sticks in the memory after the album is done.  In fact, the If You Have Ghost EP is more interesting and it consists of cover songs.  Try working on some more memorable hooks guys and better luck next time.

Newsted – Heavy Metal Music

We really wanted to like this album and it pains us to have to write this.  Jason is a great guy and his enthusiasm for his new band  and metal is obvious.  Unfortunately, Heavy Metal Music is rather bland and generic and Jason's vocals leave much to be desired.  The whole album sounds like a heavy/alt record that would have been released in 1994. Blah. Also, what’s with all the stupid song titles like “Soldierhead,” “Ampossible,” “Kindevillusion,” and “Futureality?”  Stop that shit Jason, it's goofy.  Here’s hoping that his next album is killer.

Have a great 2014, and, as always, MAKE MINE METAL!