Have a great 2014, and, as always, MAKE MINE METAL!
Saturday, January 18, 2014
A Bombastic Baker’s Dozen
Have a great 2014, and, as always, MAKE MINE METAL!
Sunday, October 7, 2012
It's Going Down Tonight
Sunday, December 18, 2011
God Rest Ye Merry Metalheads
Holy Grail – Season’s Bleedings
Bangers, the Holidays are upon us and Holy Grail has a cool little gift for all you good (or more likely, bad) Metalheads. Season’s Bleedings is a 7” vinyl EP containing two cover songs - “No Presents For Christmas” (originally by King Diamond) and “Kill The King” (originally by Rainbow). Both tracks are superb, with James Paul Luna effortlessly pulling off vocals from both King Diamond and Ronnie James Dio. The band sounds electrifying, with Eli Santana and Alex Lee ripping it up on guitar and Blake Mount and Tyler Meahl holding down the bottom end.
In addition to the 7” vinyl release, Season’s Bleedings is also available as a four track digital download. The two additional tracks are also covers – Judas Priest’s “Exciter” and Accept’s “Fast As A Shark.” Both of these songs were previously available only on the CD version of the Improper Burial EP. Again, the band does a fantastic job on both with the Priest cover being particularly crushing.
The band have produced a short promo sampler for the EP which you can check out below:
___________________________________________________________
The Bottom Line: Season’s Bleedings is a great little collector’s item from Holy Grail, and it would really liven up the Christmas festivities with the family. You need to hurry up if you want to get the vinyl version because it’s strictly limited to only 250 red and 250 green copies worldwide. How festive! The Metal Blog Of Metal already has one of each in the vaults.
As Always, MAKE MINE METAL.
Sunday, October 2, 2011
Flying High Again

Bangers, one of the leaders of the NWOTHM is back with their second full length release and the question is did they succumb to the dreaded sophomore album slump or did they rise to the occasion. The Metal Blog of Metal is happy to report that White Wizzard’s new album Flying Tigers is even better than their superb first album Over The Top. The band has kept their core sound intact but has added some progressive elements to make one of the best albums of 2011.
Once again Jon Leon has written all the songs and plays all the guitars and bass on the album. Wyatt “Screaming Demon” Anderson is still on vocals and Giovanni Durst is back on drums. It should be noted that Anderson does not tour with the band and as a result, Mikey Gremio (formerly of Cellador) is the touring vocalist. I had the good fortune to see White Wizzard on tour this summer and Gremio does a great job with both the James Paul Luna tracks as well as the Wyatt Anderson material. He also works the crowd well and goes to great lengths to get the audience involved in the show. The picture belows shows yours truly (the bearded fellow with the super-awesome Acccept shirt) with the touring lineup of White Wizzard.

The new album, Flying Tigers, is composed of two parts with the first six tracks being thematically unrelated and the last six tracks are tied together by the same concept. Prior to the release of Flying Tigers, Jon Leon had mentioned in interviews that he was listening to a lot of Rush and my guess is he wanted to emulate 2112’s suite of seven songs. I admit that I had trepidation about the concept tracks before I heard them because I can’t stand concept albums. I find them to be turgid affairs full of crap tracks and end up being masturbatory wastes of time. Luckily White Wizzard knows both Metal and how to craft a killer album that maintains the listener’s interest.
The album kicks into gear with “Fight To The Death” which is a fast burner of a track with a message or fighting for what you believe in and never giving up. Next up is “West L.A. Nights” which is an ode to rocking in the City of Angels and hanging out at the Rainbow Bar and Grill. “Starchild” is not about Paul Stanley but is the first single from the album and it’s a ballad. Now don’t let this worry you as it’s a ballad in the tradition of Iron Maiden’s “Children Of The Damned” or Judas Priest’s “Beyond The Realms Of Death.” I really dig this song as it starts out slowly but builds to a fantastic climax by its end. I salute White Wizzard for having the balls to release a ballad as their first single. Check it out for yourself below:
The title track is a speedy number about the 1st American Volunteer Group of the Chinese Air Force who fought against the Imperial Japanese in 1941-1942. “Night Train To Tokyo” is about a Japanese lady and is chock full of superb bass work and hooks galore. The non-concept portion of the album wraps up with “Night Stalker” which is an excellent track that would have been right at home on Killers with its cranking delivery.
The next six tracks are all linked conceptually with lyrics that involve Atlantis, ancient aliens, demons, The New World Order, warfare and a star man’s son. What’s it all about? I have no idea really as my promo copy has no lyrics but frankly, it doesn’t matter as each track is excellent and could stand on it’s own. That is high praise for concept albums which usually have tons of filler tracks as transitions in the storyline. White Wizzard have successfully crafted a concept suite that holds the listeners attention the entire time. My favorite cut off of the last album was the epic “Iron Goddess of Vengeance” and these six tracks remind of that song writ large.
Iron Maiden should listen to Flying Tigers for tips on how to craft another progressive album that is not a total snooze-fest (cough – The Final Frontier – cough.) We are served riff after tasty riff with varied tempos, shredding solos, a thundering bass and killer vocals. I can’t imagine that this is a Metal fan on earth that won’t like this album as it is pure metallic excellence with not one filler track. I never reach for the skip button in the car which is a real test of an album for me. It flows well with a superb mixture of the progressive and the aggressive.
__________________________________________________
The Bottom Line: Flying Tigers is an amazing slab of pure steel and is another superb release from White Wizzard. I encourage everyone to go out and buy this release when it hits the racks in the United States and if you are in Europe get it now because it’s already out. Jon Leon and crew once again have earned our support so back these defenders of the faith with your hard earned coin.
As always, MAKE MINE METAL.
Tuesday, July 19, 2011
Swedish Skull Crushers
Wolf – Legions Of Bastards
My fellow Heavy Metal enthusiasts, I am sure you are aware of the New Wave Of Traditional Heavy Metal (NWOTHM.) The NWOTHM tag is essentially a marketing gimmick that was invented by Earache Records in 2009 to categorize all the up and coming traditional metal bands. Bands such as Cauldron, Portrait, White Wizzard, Holy Grail, Armour, Volture, Enforcer, and Skull Fist were all lumped together in the NWOTHM whether they considered themselves part of this group or not.
Long before these bands were put axe to the wax other traditional metal bands soldiered on such as Twisted Tower Dire, Cage, and Widow. Another band that has been playing rib crunching, spine cracking, traditional Metal for years is Wolf from Orebro, Sweden. Imagine the galloping music of Iron Maiden melded with the high pitched vocals of King Diamond and you’ll have a fairly good idea of the band’s sound.
Wolf has been putting out consistently great albums since the release of their eponymous debut in 2000. Their 2004 release Evil Star is a favorite of The Metal Blog Of Metal, the title track a crushing sledge of metallic greatness. Unfortunately, their 2006 follow up The Black Flame, was a letdown with too many average tracks and poor sequencing which resulted in most of the excellent cuts being at the end of the album. Wolf quickly recovered in 2009 with the fantastic Ravenous which featured the superb tracks “Speed On,” “Hail Caesar,” and “Voodoo.”
This year Wolf has blessed the Metal world with Legions Of Bastards and it’s a cracking album of pure chromium plated steel. Picking right up where the last album left off, the band offers up 11 tracks on vinyl, 12 on digital download and standard CD, and 13 on the deluxe digipak CD. Wolf has in no way back loaded this disc; the album kicks off with three hooky burners in “Vicious Companions,” “Skull Crusher,” and “Full Moon Possession.” Any of these three cuts would make a great lead single or video but right now all I can find online is a live performance of “Skull Crusher.” Check it out:
“Jeckyll and Hyde” is a longer multi-tempo track with crushing riffs and a very cool chorus. “Absinthe” is a tribute to everyone’s favorite extract of wormwood, and it will have you banging your head at the 1:40 minute mark. “Tales From The Crypt” is the album's epic centerpiece and features such jolly lyrics as “Tomorrow is just another word for misery.” It’s another fantastic song with noodly Maiden guitar parts. “Nocturnal Rites” starts with an intro similar to either “E5150” or “The Dark” by Black Sabbath and then develops into a mid-paced grinder with sweet, sweet gang vocals in the choruses.
It’s at this point that the album hits a bit of a snag due to poor sequencing. On the digital download and CD the songs “Road To Hell” and “False Preacher” are back to back and both have the same lyrical content – the perils of organized religion. The tracks are actually separated on the vinyl and the album flows much better as a result. Wolf should have followed the vinyl sequencing in other formats or ditched one of these tracks and used it as a bonus song on different versions.
“Hope To Die” is another fast song with strong solos and riffs and lyrics about spooky rituals and the occult. The last track on the vinyl and standard CD is “K-141 Kursk” and deals with the accidental sinking of a Russian submarine and the subsequent death of all hands on board. It’s a decent song but it has a particularly effective outro as the song fades and all that can be heard is a mournful sonar ping. It conjures up visions of doomed submariners waiting to die in the dark as their vessel takes on water.
The Deluxe edition CD features the track “6 Steps” which was the bonus track on the Japanese edition of Ravenous. It’s a mid-paced number with a crunchy guitar tone that lyrically is reminiscent of Maiden’s “Fear Of The Dark.” Both the Deluxe CD and the digital download end with a cover of Metal Church’s “Method To Your Madness.” Wolf is particularly adept at cover songs, and in the past has produced excellent covers of Mercyful Fate, Blue Oyster Cult, Slayer and The Ramones songs. “Method To Your Madness” is no exception and is well worth the listen.
If you can’t decide which version of the album to purchase, I suggest the vinyl because not only do you get a nice piece red vinyl, but you also get the Deluxe Edition of the CD tucked into one of the gatefolds. That’s a very cool way for labels to entice people to purchase vinyl. You can see the pictures of this version at the top of this review.
The Bottom Line: Wolf once again delivers the Metal with Legions Of Bastards and they deserve your support. They were NWOTHM long before the NWOTHM was cool so go out there and buy something from them. Here’s hoping that some day they make it to the States for a tour.
As always, MAKE MINE METAL.
Wednesday, June 15, 2011
Iron Gods of Vengeance
The first thing you notice when dropping the needle on White Wizzard’s Over The Top is the galloping bass of Jon Leon thundering up front like Steve Harris circa ’82. Leon is the main man behind White Wizzard and as such writes all the songs and lyrics and performs almost all of the lead, rhythm, and bass guitars in the studio.
White Wizzard was formed in 2007 in Los Angeles, California and released their debut EP White Wizzard in 2008 which was re-released in 2009 as High Speed GTO. The EP featured a completely different line up than Over The Top and included future Holy Grail founders James Paul Luna, James J. Larue and Tyler Meahl. The ever popular “creative differences” led to Luna, Larue and Meahl to leave amid not a little bit of rancor.
Jon Leon regrouped and recruited a completely new lineup for Over The Top. The most notable addition is vocalist Wyatt “Screaming Demon” Anderson who sings in a powerful, clear voice and in some songs sounds much like Mike Howe of Heretic and Metal Church. Wyatt’s vocal abilities help White Wizzard to sound like equal parts Judas Priest circa British Steel and Iron Maiden before 1986. This is a potent combination that most metal bands back in the mid-80’s were striving to achieve and White Wizzard has managed to blend these two influences perfectly.
Over The Top features such up-tempo anthems as “Over The Top,” “40 Deuces,” “High Roller,” “Live Free Or Die,” and “Death Race.” In case you weren’t sure whether or not Jon Leon is a Iron Maiden fan or not, just take a listen to the cut “Strike Of The Viper” which has the line, “Can you feel the strike of the Viper, 6 6 6.” Number of the beast, strike of the viper, either works for The Metal Blog Of Metal. All of these tracks feature lyrical themes about such metal topics as: taking risks, having wings of steel, fighting it out Road Warrior style in a dystopian future, freedom, and muscle cars.
The lead single from the album is “Over The Top” and the band made a hilarious video for it. Leon clearly understands the 1980’s metal video esthetic as it features a ghost town, two dueling wizards, hot chicks, a Pontiac GTO and the band rocking in the middle of nowhere. Follow the viewing of it with W.A.S.P.’s “Wild Child” as a chaser.
Somewhat unexpected are the two epic tracks, “Iron Goddess of Vengeance” and “White Wizzard” which both clock in at seven plus minutes. “Iron Goddess of Vengeance” is a personal favorite that starts off with ominous chanting and proceeds to build to a furious climax as the Iron Goddess reclaims her crown from Satan himself. The track is pure vanadium and is the center piece of the album with its progressive structure and superb songwriting. “White Wizzard” is the final track and tells the tale of dueling wizards and a dragon which, as Ronnie James Dio would tell you from his throne in Valhalla, is what metal is all about.
Earache offers the album in the following formats:
- Standard CD
- Limited Edition CD with bonus disc featuring the cover songs “Gates of Gehanna” by Cloven Hoof and “Heading Out To The Highway” by Judas Priest.
- Standard Vinyl
- Vinyl Picture Disc
- Digital Download
The Bottom Line: If you like your metal traditional and fun Over The Top is exactly what you are looking for. Is it revolutionary in any way? No, but then again, I don’ t think it was meant to be revolutionary but rather it was meant to be a pure expression of early 80's metal. As the band have mentioned in interviews, Metal should be about fun and this is certainly a fun album. It has excellent songwriting, playing, and vocals and displays a purity that many bands fail to achieve in our irony saturated world. Definitely pick it up and check them out on tour this summer and fall.
As always, MAKE MINE METAL.
Sunday, June 12, 2011
Ultimate Power Vultures


It seldom happens that an unknown band becomes one of your favorites on the strength of their first album. It’s even rarer that an unknown metal band playing straight down the pocket, traditional, old school, fists in the air metal becomes one of your favorites in 2011. Such is the case with Holy Grail here at The Metal Blog Of Metal.
Formed by three former members of White Wizzard in 2008, the band released the Improper Burial EP in 2009 and then followed that up with their full length debut album Crisis In Utopia the following year. Crisis In Utopia features 11 tracks, two of which were previously released on Improper Burial. Holy Grail successfully blend equal parts traditional metal and shred guitar with a dash of death metal backing vocals to create a superb album.
Don’t let the mention of death metal scare you off - the backing vocals on a couple tracks are of the harsher variety and that’s it. In fact, vocalist James Paul Luna sings in a clear, strong voice throughout the album. He has incredible range and sings with power and balls as should be the norm in metal. Luna has no trouble hitting the high notes and will at times have some nice grit in his voice in the low end. He is an excellent front man and really helps to put Crisis In Utopia over the top.
The other secret weapon in the band’s arsenal is Eli Santana on guitars and backing vocals. Santana frequently mentions Racer X in interviews as an inspiration and one can really hear that influence in the songs. He shreds all over this album like Paul Gilbert of Racer X. Now don't think this is some guitar wank-fest with notes-a-flyin' everywhere, but rather tasteful playing that compliments and enhances every track. Imagine Dio with Yngwie from Steeler playing and that should give you an idea of the Luna/Sanata combination.
Each track is a standout really so it’s extremely difficult to pick a favorite but lead single ”My Last Attack” is very, very good and incredibly infectious. The video for the track really captures the live experience at a Holy Grail show.
Lyrically, this is a traditional metal album. You aren’t going to have to listen to some jackass whining about how nobody loves him and he needs a hug. It’s about war, Vikings, the Apocalypse, succeeding against incredible odds, the supernatural and yes, ULTIMATE POWER VULTURES!!!!! Not just regular power vultures mind you but fucking ULTIMATE POWER VULTURES! No false metal here, no sir. Practically every song is anthemic, horns up metal of the highest quality. Think Painkiller, Balls To The Wall, Kill ‘Em All, etc…
Crisis In Utopia is just a superb album of traditional metal that is fun to listen to and great to sing along with in the car. That's the real test of any album for me, does it make repeated trips into my car CD player? In the case of the present album, I listened to it over and over during the 5 hour trip from the Queen City to the Steel City. If you can do that with an album, you know it's something special. In fact, the album has yet to leave my daily play list, it's that good. If there was ever a band and an album to lead metal into the next decade, this is it. Buy or die.
Prosthetic Records offers the album in several formats:
- CD
- Vinyl in various colors - clear (see pic above), black, white, black mix
- iTunes and Amazon digital download
__________________________________________
The Bottom Line: You should be buying this album now. As in right now. Stop reading this blog and buy this damn album already. You should be supporting this band with your cash monies. We need more bands like this in Metal. Holy Grail are also constantly on tour so definitely check them out live. The Metal Blog Of Metal had the good fortune of seeing them with Cauldron and the show was incredible. They are as good live as they are on wax and the show was a whopping $8. Go see them and buy some merch damn it!
As always, MAKE MINE METAL.
.jpg)
